Monday, August 13, 2018

Processing change - reflections

Turn to face the strange....
Life changes, people change, the world changes...change is a constant, and some are grand, some are minute. The sky is always a perfect sky, but it is never the same (or something like that – from Illusions by Richard Bach.) Change can prove to be for the better or the worse, and what is minute can feel monumental or vice-versa.
In my previous posts of the blog, I talked some about the wealth of changes I've been undertaking over the past number of years. Or maybe that I've been overtaken by. I've moved house, and moved from urban back to rural (which makes me very, very happy!) Gone from taking the TTC to my theatre job to having to commute in from rural Ontario, often stay in the city for days – or sometimes weeks – at a time, and have a split life of home and “away”. This would be made easier and less of a change, perhaps, if I had a place to stay in the city that was my own. Then I could just be moving from Country Mouse to City Mouse and back...but anyone who is currently renting in Toronto knows what those prices are like and supporting 2 places on my budget is an absolute no-go...as it is with most people in my situation. (Also another change – with the city to country thing...I am finally living (almost) within my means. So the idea of adding an expense that puts me back in the cycle of being unable to afford my life is not an option I want to take, if I can help it.)  And again, in hindsight, Country Mouse/City Mouse is not all that easy either.  It is still a split, and there is never quite the thing you need, or the sense of home.  At least not for me, so far in the versions I've tried...but then, I'm difficult.
I've moved from being single – for what feels like most of my life – no offense to previous partners, some of whom were quite long term – to being someone's significant other, and to having a significant other. From living as a single person to living in a shared household. I've gone from someone who had only rarely been out of the country – or even the province, to someone who has been overseas multiple times. What else...oh, it turns out that I've gone from being part of a very small family to realizing what it means to have a LOT of relatives - in Scotland. (I always knew about them as a theory, but it is a different thing when the theory has you come for tea.)
And most importantly, I've realized that in order to make this work I have to get serious about making my business and the work I produce more viable. I have to make an actual effort to sell some of it so that I can continue to live in my rural paradise and still eat. And maybe choose how much I commute. In the city I always got by, in part by taking lots of little jobs that were as diverse as a piece of string is long. Over the past few years – or, I suppose, over the past decade those jobs have slowly started to go by the wayside. Some because I let them go, some because they had run their course. And now, the few I have left are coming to the natural end of their life cycle.
My first thought was, I can get a part-time job up here. That, it on more careful thought, requires either a commitment I'm not yet ready to make, or decisions I'm not yet comfortable with. Not to mention jobs up here are scarce, as they are everywhere. Mostly though, I am stopped by the fact that I can't get a “conventional” part-time job unless I am willing to give up my theatre career (which is also, by nature, part-time). And I am not there yet. Strangely, employers are not keen to hire part-time staff who need about 6 weeks off, three times a year or so. Oh, and those are usually evenings and the ever popular weekends. And then there are those fantastic trips over the big waters I've mentioned.
All of this makes me not so much the most desirable employee prospect. No matter how hard I work when I am there. And all this time away from my new home means I'm not making the kind of contacts I had the luck to find in the city – people who needed casual help when I was not otherwise occupied and yes, odd hours – sometimes after midnight – with long gaps was fine. I know how rare and special those contacts were and are, and I have loved each of them for what they have allowed me to do. I think the likelihood of any of them appearing in my current whereabouts are slim, so that means getting down to business. Which is why I'm here, at this moment, writing this blog.

I mentioned that I am a sporadic writer, and a sporadic artist/maker. It is not that I don't have discipline...there are certainly times when my discipline is questionable. But I work from inspiration, and from an overwhelming need to work. That can, I expect, be nurtured to some degree, by being disciplined. It is something I have been learning about as I begin to understand the way artists in the UK particularly seem to work. But, like all of us, I have to eat and keep myself in a home, and frankly, if I'm not inspired or at least intrigued then my work is not worthwhile doing. What comes out is junk. (I know that there are those who will think it is junk when I am inspired....sometimes I'm one of them.)
So the way I had structured my life left me less time and energy for making stuff, inspired or not. And now, all these years in I have to try to learn some new tricks. This is all part and parcel of nurturing that creativity...the part of me that questions and examines and is filled with wonder and awe at the world around me. I have to become less sporadic and believe that what I produce might not be junk. And if it is junk I need to make it junk I can learn from and grow from rather than going into that desolate spiral that tells me that I am junk, therefore all I produce is junk and so shall it be forever more.
 
It is the journey of a lifetime for most of us to realize that we are not failures. We fail sometimes, sometimes often, sometimes seemingly endlessly. But if we persevere we are not failures.
It is a strange mirror – once my writings were fueled by sadness and turmoil and struggles and they helped me to make space inside myself for hope and quiet. Now I am writing from hope and quiet (sometimes, at least) and my writings are fueled by creation and missteps and the ability to hold that quiet and look at the things that cause ripples in it and see my reflection rather than just the ripples. And to know that they are ripples, rather than tidal waves. A great deal of that comes with age I expect, and experience. I am lucky to have and grateful for the ability to be able to turn and face what is before me, and to know that however rough the terrain is I have a reasonably comfortable seat to ride it out in.